What
made it even easier was von Furstenberg's fabric-savvy.Not to fend of
an invading race of monsters from a different dimension buy RBG boost —
but as future helpers in dangerous disaster scenarios like the one at
the Fukushima nuclear plant in 2011. It was as if she had sponged up
every last bit of Euro-American culture and the contemporary urban
environment – fine art, graphics, media, the rhythm of the city and the
way we lived and worked. The fabrics – with their bold graphics,
animal,I had been offered a full scholarship at the age of 27. It had
taken years of hard work and an uneasy Metallic Zentai Suits life
in Delhi's heat to reach a stage where I could secure a place at a
university ranked among top 50 in the QS World University Rankings. or
biomorphic, or stylized abstract prints – and the way the dress moved,
responded to the way people moved and worked in the city. They had
impact without overwhelming the wearer or the on-looker. Von Furstenberg
understood the dynamic down to the city's DNA.
Of
course she moved on – with dresses, sportswear, separates, accessories;
and so did we; but versatility has been the hallmark of her label
throughout its double run.I think, for example, of a style of tunic
dressing she put her own tailored stamp on, among many other styles.She
has a flair for what she would call the "yin and yang" of fashion – that
uncanny balance between casual and dressy, the business-like yet
relaxed, the geometric and the biomorphic, the matte and the shiny. She
knows how to walk a dress the way some people walk in nothing at all –
it's just second nature. You see it in her runway shows of the last
decade – the consistent enthusiasm, the sense of something there for
everyone, and the buyers getting excited. Everyone goes home or to the
next show happy.
The
show, Diane von Furstenberg: Journey of a Dress, opens today at
LACMA-West appropriately, the former May Co. department store space,
installed as if in inter-locking mirrored lozenges not unlike some of
the patterns themselves, endlessly reflecting a thousand incarnations of
the dress that thousands of women wore to their first jobs or first
nights out. Except they're not reflections – they're the actual dresses.
It looks as if the curators of the show pulled the dress in every
fabric and pattern it was made. The pedestals and surrounding walls and
floors are similarly wrapped in the animal/biomorphic and
geometric/abstract patterns that have always been her signature. Whether
for a walk back into the past,Seven teams of robotics researchers
across the country have been assigned one Atlas each. High-end
reinforced hoses are more resistant to abrasions, elo boost and
bursts. or to scout out future style horizons, I encourage you to
'walk' the wrap dress for yourself sometime between this week-end and
April 1st.
没有评论:
发表评论